A single mustard-and-maroon saree becomes the thread weaving together generations of memory. As a mother recounts its journey - from saree to half-saree, curtain, cushion cover, and album cover—her daughter discovers how fabric can carry family history. Each transformation holds laughter, sisterly love, and the ingenuity of making do with what one has. In the end, the saree becomes more than clothing - it becomes a living archive of relationships, creativity, and continuity.
Latest Posts
Inventing the Oppressor: Social Theory and the Logic of the UGC Regulations
Aryan Anand argues that the debate around the recent UGC guidelines has remained confined to immediate political reactions, ignoring the deeper intellectual frameworks shaping such policies. Drawing on strands of critical social theory, he contends that contemporary policy increasingly operates through rigid oppressor–oppressed binaries. Applied mechanically to the Indian context, this framework risks misreading the complex realities of caste and society. Anand suggests that policies built on such assumptions may ultimately deepen social divisions rather than address them.
Gaffe or Gambit – Did A R Rahman Cross a Line While Keeping Within Others?
Was A.R. Rahman’s reference to a “communal thing” in Bollywood a careless gaffe—or a calibrated signal within a larger minority-progressive discourse? Situating his remarks within a broader pattern of celebrity secularism, this essay argues that selective invocations of intolerance often coexist with studied evasions on questions of history, identity, and civilizational memory. Rahman’s diplomatic silences—on Aurangzeb, on cultural politics, on ideological alignments—appear less accidental than strategic. The result is a familiar cycle: grievance, outrage, clarification, and international amplification. At stake is not merely celebrity speech, but the narrative framing of Hindu-majority India itself.
Inside the Temple Crisis: Governance and Preservation Challenges
Across India’s temple towns, rising tourist footfall, evolving governance structures, and new revenue models are reshaping how sacred sites are administered and preserved. Temples, once self-sustaining civilizational institutions, are increasingly treated as revenue-generating assets, with properties sold, offerings monetized, and darshan commodified. Rema Raghavan writes that this commercialization displaces local communities, erodes ritual continuity, and weakens the organic moral oversight once provided by resident devotees. As temples transform from living centers of worship into tourist spectacles, the intimate bond between deity, devotee, and community frays. Restoring temples as civilizational epicenters, she argues, requires accountable governance, empowered local participation, and an uncompromising commitment to ritual and heritage preservation.
An Air of Social Doom: Political Propaganda Passed off as Moral Messaging
This article by Sriram Chellapilla, the fifth in a series of essays on the subject, argues that celebrity anguish over press freedom, NGOs, and society functions less as moral concern and more as selective political signaling. Using Naseeruddin Shah’s statements as a framing device, the author exposes how unelected NGOs, opaque media ownership, and celebrity activism often mask ideological agendas behind the language of freedom. Chellapilla contends that scrutiny of NGOs and media is neither new nor authoritarian, having been pursued by successive governments. What is troubling, he argues, is the hypocrisy of invoking free speech only when aligned with preferred politics, while remaining silent on censorship and intimidation by “secular” regimes.